Boots&Hat Easy Step Sheet

Slapping Leather(40 count)

1
1 - 2 3 - 4 5 - 6 7 - 8
Heels split
(out - in)
Heels split
(out - in)
Heel forward
(touch - together)
Heel forward
(touch - together)
- - - - (R) - R (L) - L
2
1 - 2 3 - 4 5 - 6 7 - 8
Heel forward
(touch - together)
Heel forward
(touch - together)
Heel forward
(tap - tap)
Toe back
(tap - tap)
(R) - R (L) - L (R) - (R) (R) - (R)
3
1 2 3 4 5 6 7 8
forward
(point)
side
(point)
back
(point)
side
(point)
flick in
(slap in)
flick out
(slap out)
hitch
(slap in)
turn
(slap out)
(R) (R) (R) (R) (R) (R) (R) onL(R)
4
1 2 3 4 5 6 7 8
side
 
XIB
 
side
 
flick
(slap)
side
 
XIB
 
side
 
flick
(slap)
R L R (L) L R L (R)
5
1 2 3 4 5 6 7 8
back back back hitch step next step stomp
R L R (L) L R L R
XIF = cross in front , XIB = cross in back

Last update '08/8/13

Slapping Leather

Choreographed by Gayle Brandon
Description:	40 count, 4 wall, beginner line dance
Music:	Tulsa Time by Don Williams
	      Swingin' by John Anderson 
	      Backroads by Ricky Van Shelton 
This step description is the exact wording of the original step sheet, as signed and distributed
by the original Choreographed by. Notes at the end were added to cover variations that have crept
in since it was choreographed in 1978.


 PIGEON TOES (HEEL SPLITS)

1 	Rise up on your toes and turn them in towards one another
2 	Feet back center
3 	Rise up on your toes and turn them in towards one another
4 	Feet back center

 SIDE STEPS

5 	 Point your right toe to the right side
6 	 Feet together
7 	 Point your left toe to the left side
8 	 Feet together
9 	 Point your right toe to the right side
10 	Feet together
11 	Point your left to to the left side
12 	Feet together

 FLOOR TAPS

13 	Touch right heel to the floor directly out in front
14 	Touch right heel to the floor directly out in front (heel, heel)
15 	Touch right toe to the floor directly behind you
16 	Touch right toe to the floor directly behind you (toe, toe)

 SLAPPING LEATHER

17 	Point right toe to the front (12:00)
18 	Point right toe to the right side (3:00)
19 	Cross right leg behind the left knee and hit your boot (9:00)
20 	Point right toe to the right side (3:00)
21 	Cross right leg behind the left knee and hit your boot (9:00)
22 	Point right toe to the right side (3:00)
23 	Cross right leg in front of your left knee as you turn 1/4 to the left and slap your boot 
    on the inside of the foot
24 	Slap your boot on the outside of the boot
    Picturing the face of a clock, count would be 12, 3, 9, 3, 9, 3, 9 with 1/4 left turn, 12

 GRAPEVINES (BUCK AND WING)

25 	Step to the right on your right foot
26 	Cross your left foot behind the right
27 	Step to the right on your right foot
28 	Hop on your right (left heel up beside your right knee)

29 	Step to the left on the left foot
30 	Cross your right behind the left foot
31 	Step to the left on your left foot
32 	Hop on your left (your right heel up beside your left knee)

33 	Step backwards on your right
34 	Step backwards on your left
35 	Step back on your right
36 	Hop on your right (left heel to your right knee)

37 	Step forward on your left
38 	Step forward on your right
39 	Step forward on your left
40 	Stomp your right foot beside the left

 REPEAT


CHICAGO VARIATION: Dance begins on beat 5, with a foot pattern of RRLL instead of RLRL, and 
putting beats 1-4 at the end of the dance. Also, replace the steps done on beats 19-24 with just
three steps, which happen to be the steps shown above in beats 19, 24, and 23, in that order. 
To make the dance come out even, the hop on beat 36 is done twice instead of once.

SHORTER VERSIONS: In some places, the dance is shortened to 38 counts by leaving out counts 20-21. 
In some places, the dance is shortened to 36 counts by leaving out counts 19-22.

OTHER VARIATIONS: In fact, this dance has seen more local variations than probably any other 
dance. Other variations that have taken hold over the years in various places include toe taps 
instead of heel taps, touches to the front instead of the side, putting the 1/4 turn in at a 
different place, and starting at various places in the dance. If you travel to different places 
throughout the world, expect to see this dance done several different ways.



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